Recognizing the need for the sovereignty of French Acadian culture, MBF-Lifestyle East Coast has launched an online satellite wing dedicated to showcasing artwork different from this systematic cookie-cutter year after year. Evangeline Gabriel Grand Pre and the deportation community steeped in the past. This new safe internet space allows artists like Claude Edwin Theriault to share innovative work with the world free from insular, provincial Nova Scotian cultural censorship. With 40 years of work, Theriault is an essential voice in the French Acadian cultural movement and a visual expressive force to be reckoned with via his extensive nonfungible token collection with provenance.
Claude Edwin Theriault's forced need to establish his sovereignty to claim ownership of his property and demand a platform on which to present his bold and innovative visual representations for the past 40 years is a direct result of the Catholic academics who run franco cajun hillbilly culture; like the politically connected business it is; being uncomfortable with Queer Aspergers with a voice producing innovative change.
In reaction to being ignored, these academics have effectively ghosted him, or in other words, doing nothing proactive about it. Consequently, as an act of self-preservation, Claude Edwin Theriault has had no choice but to take matters into his own hands by creating his own sovereign space within the contemporary creative voice world where he can exhibit his work without external interference or judgment. Launching the MBF-lifestyle East Coast's censor-free blockchain proves the need for just such a space. Claude is an essential voice within the New World New NFT gallery movement; Claude has a unique voice that warrants exposure and appreciation from all corners of the globe.
When you have time, go take a look at his active LinkedIn profile.
Nova Scotia French Acadian artist
His marginalized voice has a forced need to proclaim his sovereignty to claim ownership of his paintings and pencil and ink drawings; demand a platform on which to present his visual voice for the past 40 years; this is a direct result of the Catholic academics who run the stoic culture; being uncomfortable with a marginalized Queer Aspergers type with a bold and innovative and imaginative voice. In reaction to being ignored, the CTV Atlantic.ca and all toe-the-line academics have effectively ghosted him, or in other words, done nothing proactive about it.
Consequently, as an act of self-preservation, Claude Edwin Theriault has had no choice but to take matters into his own hands by creating his own sovereign space within this ego-infested cultural world where he can exhibit his work without external interference or judgment. Launching this new space on MBF-lifestyle East Coast's censor-free platform allows his visual storytelling voice to be seen for a change.
Scotia French acadian artist Claude's artwork
An essential voice within the emerging Canadian contemporary art movement, Claude Edwin Theriault's numerous 3D motion graphics and the hundreds of print-on-demand POD wall versions for sale warrant exposure and appreciation from all corners of the globe. He won the top-ranked Platinum in the Hermes Creative Design Awards. He passed on the merit of his work, not partisan politics of who you blow in the Atlantic Canadian clinics and clans network of Bull Shit cultural politics.
Note how often Claude Edwin Theriault appears multiple times on the first few pages of Google; it`s like he doesn`t even exist. Hence MBF-lifestyle is forced by the cultural ghosting isolated need to have sovereignty control over his intellectual property since the Honkies at the wheel will not.
His esoteric, First Nations shamanic-inspired work with animal totemic spirit world aspect demands attention from anyone interested in accurate representations of the new digital creators in today's Canadian contemporary art movement. His use of archetypal imagery, sacred design, and the male nude represent Terre des Hommes, meaning humanity now has a global audience of a million lovers of his work.
Claude Edwin Theriault Blockchain art for sale
The launching of MBF-LifestyleEast Coast provides just such space: ignoring him is just the pattern of interrupting reaction since these academic bureaucrats have never seen anything new. Hence, his forced need to establish his sovereignty claimed intellectual property ownership of illustrations, works on paper, and more. And demand a secure virtual exhibition of visual artwork canvas past 40 years and the nft paradigm his creativity has shifted to.
Watch multiple YouTube video channels below for artwork art prints a worldwide audience is buying.
Art Gallery of Nova Scotia artist shift to self-representation.
In the new pre-2030 world, this growing tokenization movement recognizing his sovereignty and cultural contribution to this movement with cornerstone MBFLifestyle Gallery Launches Satellite Wing on Censor-Free web3 Ignoring him is the reactive thing to do since we are instinctively programmed to hate what we cannot understand.
Claude continues to ask and demand that visual artists be included in the list of Our Artists from the Bay Nos artist de la Baie, which consists of only Diddling banjo fiddle players. To make the event a genuinely diverse meeting and cultural exchange. Instead of the same yearly cookie cutter and a formulaic showcase of the Provincial and Federal Heritage Patrimonial, cultural representations like the French Acadian cultural administrative eurocrats have been doing for over half a century.
FAQ Frequently asked questions
Why are the visual symbolist image narrative works of Claude Edwin Theriault so controversial?
Many conservative, backward-thinking Heritage and Patrimonial types find the visual voice of his art controversial because of his use of the Male Nude to portray Terre des Hommes. Click to view his oil paintings. Also, use esoteric sacred design archetypes that have a lot to offer. They have nothing to do with the style habitual in mainstream folk art and crafts IOS ideology platform most Atlantic Canadians operate on, in their don't ask, don't tell bubble world 1970s style.
Interestingly, Theriault himself doesn't consider his work to be controversial at all. He thinks it is a form of visual narrative communication that is nothing short of therapeutic and open to interpretation by the viewer.
Never forget it is the enormous responsibility of an artist to disturb the peace of complacent cattle.
Yes, it sure does if you are a Liberal, forward-thinking, uninhibited type. If not, it is not a better pick with Wayfair's dull, uninspired mainstream stuff.
Will the old established CTV Atlantic.ca and the Lever-owned Saltwire publishing ever accept his work?
No, probably not in their lifetimes since they are both web 2.0-based oligarchs currently being plowed under by Claude and his web 3.0 metaverse audience. And, of course, the Great Reset of 2030 is coming down the line. So their time as the local Kjipuktuk-centric media Darlins is numbered with the shift to metaverse drawing the new youth demographic audience away from the systematic cookie-cutter windigo jive at five; you get at that award-winning authoritative ATV news.