La société acadienne de clare and the french acadian heritage patrimonial industry
Old heritage patrimonial industry unchanging and dominated by stagnant Nova Scotia French Acadian culture for years. However, change is a comin'.
The heritage patrimonial industry is seemingly unchanging and has been dominated by stagnant Nova Scotia French Acadian culture for years. However, change is on the horizon, and contemporary artists like Claude Edwin Theriault are leading the charge for change. Unfortunately, not everyone is on board with this change; La Société acadienne de Clare is a prime example of the insular Roman Catholic ideologies they share with the other cultural Oligarchs.
French Acadian Culture and Change
The ruling Oligarchs have made their politically correct move by dutifully appointing the fully closeted one as Assistant Director General, and he fits right in as a fully closeted gay man who knows his place in the toe-line oligarch government academic burocrates who exercises queerphobic ideologies and answers to no one. This move is designed to cover her politically correct queerphobic self and maintain her position in the heritage patrimonial industry mission. They are all part of a new breed of "young, clueless and ungrateful bastards" who answer to no one,
On September 21st, 2023, what was her name? She visited ESDC. Upon exiting the building, she passed Claude, eyes to the ground, and walked past him like he did not exist. This is how they deal with someone of the same Heritage Patrimonial page. Hence, they are being called out on a Queerphobic incident with her, what's his name and Claude Edwin Theriault on a Thursday evening in October 2028 in her office. And until those two own up, they will be called out on how they operate.
Claude Theriault
French Acadian Culture
Call for creating vibrant diversity in arts and music that recognizes more than just centuries-old traditional perspectives.
The heritage patrimonial industry is a complex walled garden network of very Insular individuals and organizations that do little to promote a culture being pushed to extinction by the lack of representation in Halifax-centric Newspapers, television and University culture.
Claude Theriault
They claim to be dedicated to preserving and promoting the cultural and historical heritage of a particular region or community but are just self-serving, racist hypocrites. For the socio-cultural and economic ghetto of the French Acadian community, this industry is vital, as it represents a chance to preserve their unique cultural identity in the face of modernization and globalization. Yet, the serving grandiose cultural ambassadors do nothing but serve their answer to no one's needs.
They us the same old ancestors' rhetoric at all rural events.
However, this industry has been dominated for too long by a conservative Roman Catholic academic bureaucracy that values conformity and outdated, unique traditions. These individuals and organizations have been reluctant to embrace change, viewing contemporary artists and their work as threatening the status quo.
This is where they fit into the conservative baie sainte marie bureaucracy, and she understands the importance of playing their cards right if they want to maintain their nice government job position. Comeau, on the other hand, is a fully closeted gay man who has learned to navigate the toe-line société acadienne de clare oligarch government academic burocrates song and dance routine with ease.And Theriault is OK with that, nous sommes d'accord de ne pas être d'accord– Haleluya.
Nova Scotia Acadian identity beyond the Ghetto
They all represent a "perfect" pair for the heritage patrimonial industry poster child image of Acadie the Good. They are both politically correct, and their appointment is designed to appease those advocating for change without making real fundamental changes. Endemic from Nova Scotia to New Brunswick and their Pays de la Sagouine cookie cutter acadian population cultural representations
An international gathering of Acadian leaders in Atlantic Canada a comin' real soon
Acadian people in the Acadian region of la baie Sainte Marie have a history of being Feisty like Jackie Vautour, hence the need for creatives at MBF Lifestyle to point out a new take on the glorious French language de Clare being driven into the ground.
Unfortunately, this appointment has not gone unchallenged. Claude Edwin Theriault, a contemporary queer artist, had been calling them out on a queerphobic racist incident on a Thursday evening in October 2018. Claude has relentlessly criticized Insular walled garden Ideologies, pointing out their appointment's hypocritical nature and refusal to look at, let alone embrace, truly contemporary art, new acadian society identity ideals de la nouvelle ordre mondial.
Claude Theriault
As we all prepare for the international gathering of CMA2024, la société acadienne de Clare has to up its game and learn to communicate and issue day-to-day activities of communities with real pride worthy note. To celebrate acadian culture news via posts on Linked In, something none of them do, since they toe the line for the nice big fat #### paycheck they get to sit on and smile.
Nova Scotia Société acadienne de Clare in need of change
The heritage patrimonial industry needs to change to survive in the modern world. Those who refuse to embrace contemporary ideals risk becoming irrelevant and obsolete. However, change in Nova Scotia and all of Atlantic Canada takes time, and those who resist it will always resist it. However, change will come soon as Contemporary artists move the life of the culture and tradition into the new world-order family of things de Clare. Especially with the upcoming elusive visual arts art of CMA2024, the Claude one no one on the executive council is speaking of... yet.
Need for change from the Xenophobia endemic in the French Acadian community.
Their appointment represents a small step in the right direction. While it may not be the change many seek, it is a start. As more contemporary artists in Atlantic Canada continue to push for change, we can only hope that those in positions of power will begin to listen without prejudice to a change in the Nova Scotia Acadian identity.
FAQ:
What is the focus of La Société acadienne de Clare and the French Acadian heritage patrimonial industry?
La Société acadienne de Clare focuses on preserving and promoting the unique cultural and historical heritage of the French Acadian community in Nova Scotia. They aim to maintain traditional values while adapting to contemporary changes in cultural expression and inclusion.
How does Claude Edwin Theriault influence the French Acadian culture?
Claude Edwin Theriault, a contemporary artist, plays a significant role in pushing for modernization within the French Acadian culture by challenging traditional norms and incorporating modern art trends like NFTs. Through his work with MBF-Lifestyle, he aims to promote a more inclusive and innovative cultural identity.
What unique challenges does the heritage patrimonial industry face in Nova Scotia?
The primary challenges include overcoming resistance to change from traditional conservative ideologies and addressing issues of inclusion and representation within the media and cultural narratives. Adaptation to contemporary artistic expressions is vital for the industry’s survival in a modern context.
Why is there a call for cultural diversity within the Nova Scotia French Acadian community?
The call for diversity stems from the need to represent more than just the age-old traditions. Embracing new perspectives and contemporary artistic expressions can help rejuvenate the community’s cultural identity and ensure it remains relevant in today’s rapidly evolving world.
How can contemporary artists aid in the evolution of the French Acadian culture?
Contemporary artists, like those associated with MBF-Lifestyle, bring fresh perspectives and challenge existing cultural norms. By integrating modern techniques and trends, they can facilitate a cultural shift that embraces both the heritage and the progress essential for future relevance.
What role does inclusion play in the evolution of the French Acadian heritage industry?
Inclusion is pivotal as it ensures diverse voices and ideas are represented, breaking free from the insular views traditionally held within the industry. Encouraging broad-mindedness and diversity can lead to a more vibrant, resilient cultural heritage that appeals to a wider audience.
How can La Société acadienne de Clare adapt to modern cultural trends?
By integrating contemporary artistic practices and embracing diversity and inclusion, La Société acadienne de Clare can modernize its approach. Collaboration with forward-thinking artists and community leaders can help transition the heritage patrimonial industry into a more dynamic and inclusive entity.