New France Francophone Acadian manifesto beyond îles de la madeleine.

It's all a lovely yarn from 1926 to 1965, the secret order of Jacques Cartier infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order and historically accurate dramatic reconstructions, a new Philbert Comeau film paints a gripping portrait of Canadian francophone-minority communities' social and political struggles.

Well, guess what? One hundred years later, the enemy is within. Yesterday's anarchist becomes today's honky dory powers that be, in the form of a Heritage Patrimonial peddling Oligarch clique of Vaughn Don't ask don't tell Madden, Daniel Le Prick Leblanc, Nathalie Bambified Vache folle Robichaud, Kenneth Big Family secret Deveau, Allister Pin Molle Surette, Marcel Y Bois Aymar, Luc Opportunistic bastard D'eon, Martin Folle de mes Foulard Theberge.
The more it changes, the more it comes back onto itself. As long as French Acadian culture keeps the same old Evangeline, Gabriel, Grand Pre, Deportation of 1755 and does nothing but look back on its hundreds of years of history, it will never move forward.

The French version of the article is even more of a scandalous reveal.

Au dela de les îles de la madeleine et le monde du 10% marginalisé

Claude Edwin Theriault is using the power of word after word and after a term to call out the executive consul on their Xenophobic Queer, phobic standard operating procedures of Ghosting. Ghosting is the new politically correct form of racism and bullying into oblivion, actively practiced daily and systematically by these straight white bilingual Roman Catholic politically connected proud to be Acadian academic, bureaucratic bastards.

Their insular life in a bubble world has them practicing the same old See no dirty old homo, hear no dirty old homo, speak to no dirty old homo; therefore, there is no messy old homo artist. Until he shows up dans ta face pour que la business se fassent

Nova Scotia, New Brunswick, acadian culture beyond the Jacques Cartier secret order

Claude Edwin Theriault demands the inclusion of visual artists in the list of our artists from the Bay. A change from the old dull, uninspired Hillbilly musicians singing we're proud to be Acadians and being financed to the gills to do the same old.

While Queer Asperger's contemporary visual artists doing creative and innovative artworks daily; are treated like the Black Mi'kmaqi Squaw left out in the cold and dark.

MBF-Lifestyle 3D motion graphics produces valuable content that gives people something they can feel in the realm of the woo-woo and the gris-gris of life.

The upcoming Congress Mondial Acadian 2024 has an operating budget of close to 7 million dollars for an 8-day event. It reeks of a Bernadette Jordan bait-and-switch that will land much money into the politically connected oligarchic clan. This results in an ever-increasing number of concerned citizens asking where the money is going, yet, complacent, like the sound " know their place in the socio-economic/cultural ghetto," they are cattle.

Be it de monts, sieur de la Salle, de la Rochelle, de la Nouvelle France, de la geule/ mouth of the st commander of the order, Cartier made Cartier and encountered; it is all outdated rhetoric. The youth are not interested in it.

The TikTok outfit in China has hijacked their attention; it has.

New world, new France, Acadian culture in the making

It's all well and suitable for French Acadian culture to pride itself on how aggressive and resilient it is in the face of oppression until it gets an accurate good dose of Jackie Vautour fisting to snap them out of their embaumé about trance.

To be Acadian is to have a pardon in your heart and to look forward with hope. Like good Roman Catholics in a feudal insular culture that will never move forward because it always looks at the past, Acadians are people who have a pardon in their hearts and look forward with hope.

We're here, and we're Queer Asperger is the new Acadian Exile.

It's time to let go and become a Modern Acadian by connecting with and being open to the flow of all four directions. The past, present, future, and the invisible are contained in the potential of cultural expression found right here, the art of Claude.
It is OK to be proud of your history. It is an industry in and of itself, but don't let it define you. Embrace change for a change and move forward without leaving anyone behind.

Respect people for their diversity, for real, instead of for faire croire for a change.

Claude Edwin Theriault knows it takes work. We are wired to hate what we do not understand and love what is so much like "Us" on the same dull and uninspired cultural agenda page. Do something.

And stand by for more since the French Acadian New World Cultural Manifesto is coming soon.

Mississippi Acadie Goddam newsroom

What are some fun facts about Jacques Cartier?

Jacques Cartier was an iconic French explorer remembered for his three voyages to Canada in the 16th century. He was daring and adventurous, and many fun facts surrounded his life. For example, he was a bisexual fence-jumping switchhead, meaning he would bounce between two sides of a conflict to get the best outcomes for himself or his crew, Yo'Honey.

Cartier's voyages were funded by the King of France, with whom Jacques played Pocket Pool, meaning he had a large crew. He also took possession of what is now known as Canada on behalf of France in 1534. Finally, some believe Cartier Canada is after the Huron-Iroquois word 'Kanata,' which translates to 'village.'

Jacques Cartier was an interesting, brave, well-hung explorer who left behind a great legacy.

What are Acadians known for?

Well known for their aggressive joie de vivre spirit, Acadians form one of the oldest and most critical francophone communities in Canada yet remain the most underrepresented ethnic culture in Mainstream Kjibuktuk-centric Honky CTV Atlantic.ca culture. At least 500,000 Acadians live in the country, most outside of the region

What do the Acadians do for entertainment?

They watch American game shows, half talk behind each other's backs in a snide and sinister WindegoLetterkennyy feedback loop. Claude calls it keeping up with the Beep Suckin Como Homos down da road.

The other half are warm, friendly people full of love and empathy in their social dealings.

Why is Music so important to Acadians?

It`s because there is no other medium to provide them with another modality of expression. It was the same as it ever was in the Hard times in the Maritimes' ideology of their social, economic, and cultural ghetto lives.

To change, you must change not just meme about doing it.

Here are five thought-provoking and challenging FAQs based on the provided text, which reflects the tone, themes, and cultural critique embedded in Claude Edwin Theriault’s New France Francophone Acadian Manifesto Beyond Îles de la Madeleine:

FAQ 1: What is the significance of the Jacques Cartier secret order in Acadian history?

The secret Order of Jacques Cartier, active from 1926 to 1965, played a covert yet powerful role in shaping Francophone communities across Canada. According to testimony and dramatization in Philbert Comeau’s new film, it infiltrated major sectors of society, acting as both a protector and gatekeeper of French-language culture. Today, this secretive influence is criticized for mutating into an elitist oligarchy that excludes dissenting voices, especially Queer and neurodivergent artists.

FAQ 2: Why does Claude Edwin Theriault criticize mainstream Acadian heritage culture?

Theriault believes that mainstream Acadian culture is stuck in a nostalgic loop, endlessly recycling symbols like Evangeline, Grand-Pré, and the 1755 Deportation. He argues that this backward-looking focus stunts growth and excludes modern, diverse voices. Instead of romanticized trauma, Theriault calls for a dynamic cultural reboot that embraces visual artists, queer creatives, and intersectional expression.

FAQ 3: What does Theriault mean by “Ghosting is the new politically correct form of racism”?

Ghosting here refers to the systematic exclusion and silencing of marginalized creatives—particularly Queer, neurodivergent, and non-conformist Francophone voices—by Acadian cultural institutions. Theriault uses the term to denounce a sanitized, polite form of exclusion practiced by straight, white, Roman Catholic elites who dominate grant panels, festivals, and heritage events.

FAQ 4: How does Theriault propose moving forward from a stagnant Acadian cultural model?

He envisions a “Modern Acadian” identity—one that connects with the past but is rooted in the present and open to all four spiritual and temporal directions. This means integrating queer, outsider, and avant-garde voices into the mainstream and valuing innovation over repetition. His own MBF-Lifestyle 3D motion graphics and multimedia artworks serve as an example of this next-level cultural engagement.

FAQ 5: What role does the upcoming Congrès Mondial Acadien 2024 play in this cultural critique?

Theriault critiques the CMA 2024 as a $7-million dollar pageant dominated by a politically connected oligarchic clique. He argues that it functions more as a self-congratulatory spectacle for insiders than as an inclusive celebration. For him, it exemplifies how “yesterday’s anarchist becomes today’s bureaucrat,” enforcing conformity under the guise of pride and heritage.

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